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Photos by: Nadia Ahmed

“Make your move” is a dance mentorship program for young people by SVALHOLM — Danish Cultural Exchange & Performing Arts (Denmark). Auditions were held at Studio Emad Eddin on 31 March and 1 April 2013. 

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After the selection of 10 dancers, a mentorship program will be carried at Studio Emad Eddin,  throughout the month before the contemporary dance competition takes place at the Falaki Theater on 28 April at 8 pm.

By: Virginie Nguyen

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View of the City of the Dead. The Sayeda Nafisa Mosque is visible in the background.

 

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The streets of the City of the Dead are often silent and dusty, in contrast to Cairo’s usual noise, as no cars can enter the area’s narrow passageways.

 

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Young boys playing cards in a courtyard of the City of the Dead.

 

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Siham has been living in the City of the Dead since she was a child. The house belongs to her family, and the tomb of her ancestors is underneath the floor of the living room.

 

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Some people live here because they have nowhere else to go. Although their living here is not a new phenomenon, the City of the Dead is still an example of Cairo’s acute housing crisis.

 

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Fathi Salama is an undertaker’s assistant and has been working in the City of the Dead for 15 years. He lives in a room with two tombs with his wife and 2-year-old daughter. Fathi throws water on the floor to get rid of the dust.

 

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An Egyptian balady cafe near Sayeda Nafisa Mosque, on the way to the City of the Dead.

 

Don’t miss The City of the Dead - Part one.

By: Virginie Nguyen


The City of the Dead, situated at Cairo’s Arafa necropolis, is a necropolis and cemetery below the Mokattam Hills. Stretching out for 6.4 km, the streets in the City of the Dead are quiet, narrow and often unpaved. There, one can find a dense grid of tomb and mausoleum structures, where some people live and work among the dead. Some reside here to be near ancestors, but most of them live there after being forced to move from central Cairo due to urban renewal demolitions and urbanization pressures. Other residents emigrated in from the agricultural countryside, looking for work.

The necropolis has been around for more than 700 years, but no one is sure of the exact number of people living among the million or so tombs.

In the past, the Arab conquerors chose the area as a burial ground in order to be far away from the city but a deserted location. In the Egyptian society, the cemeteries are not considered as a place for the dead but rather a place where life begins..

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 Among the cemeteries of the City of the Dead lives a community of Egypt’s urban and poor residents. There are five major cemeteries: the Northern Cemetery, Bab el Nasr Cemetery, the Southern Cemetery, the Cemetery of the Great, and Bab al-Wazir Cemetery.

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Egyptians don’t really see cemeteries as a place of the dead, but rather a place where life begins.

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Although they are tolerated, the residents living in the City of the Dead are insecure about their status, as they are living there illegally.

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A young boy walks around the tomb of an important business man. His parents are the undertakers of the family of the business man. They are living in a small house just next to it.

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 A young woman praying at Sayeda Nafisa Mosque on Prophet Mohamed’s birthday.

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Nowadays, the population of the City of the Dead is growing quickly due to rural migration and a housing crisis that has grown worse since the revolution.

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In the past, Cairo rulers chose this area for their tombs in order to be outside the crowded city in a deserted location. This area was used as a burial ground for different dynasties, including the Fatimids, Abbasids, Ayyubids, Mamlukes, and the Ottomans, among others.

 

Part two here.  

Paper trail celebrations: Egyptian weddings of the 50s 

On 14 April 1955, Sayyed Ali Effendi, head of the Nile Cotton Ginning Company, and Mahmoud Mohamed, the major cotton trader, invited the residents of Tamey region in Fayoum and Eastern Dayrout in Assiut to the three-day wedding ceremony of their son Ali and daughter Mahassen. People gathered in the pavilion Sayyed Effendi set up in his garden to enjoy food, drinks and a band. The bride and groom had their photos taken in a studio.

“Mahassen was wearing a medium-length white dress. A band with a singer, a dancer and six musicians performed. They were paid LE20 per day,” says Safy, the bride’s younger sister. “Those were times when LE1 could buy enough meat to feed the family for a whole week.”

Read more about middle class weddings in the last 50 years in Egypt here